TRIANGLE ARTS & ENTERTAINMENT
by DAWN RENO LANGLEY+ • November 17th, 2014 •
On a tour that has spanned 10 years and many countries, Chris Botti has performed with and for luminaries who are too numerous to count. On Nov. 16th, thousands of his closest friends packed the Durham Performing Arts Center on a misty Sunday night to be thrilled by his virtuosity; and all of them left completely wowed by the experience.
Read the full concert review here at triangleartsandentertainment.com
THE INDY CHANNEL
BY DAVE FURST
Were you as moved as Reggie Wayne during the playing of the national anthem before Monday night’s Colts game? Chris Botti, the musician behind it all, said he was equally surprised and pleased by the reaction to his performance.
Botti spoke with RTV6 Sports Director Dave Furst about his Hoosier ties.
He went to Indiana University in the early 80s before leaving his senior year to go on tour with Frank Sinatra. Since then, Botti has been nominated for five Grammy Awards, and won the best pop-instrumental album last year. Botti said Monday night’s performance ranks right up there, especially since it was the first time he had performed the anthem in eight years.
“While I was happy to be playing the anthem, it was great, but it was really the fact that it moved Reggie to that experience and also the whole situation with his career and on top of that, he had a great game. So it was a win-win-win,” Botti said.
Watch the full video here at theindychannel.com
By Breeanna Hare, CNN
(CNN) — Before the final whistle at Monday night’s game between the Indianapolis Colts and the New York Giants, trumpeter Chris Botti had already won.
The Grammy-winning musician was on the field at MetLife Stadium in East Rutherford, New Jersey, to perform the national anthem for November 3’s “Monday Night Football.” No vocals, as we’ve become accustomed to — just Botti and his instrument.
What transpired was so affecting that it left viewers with chills and brought Colts wide receiver Reggie Wayne to tears.
“I’m just blessed to be out there,” Wayne later told ESPN. His performance during Monday night’s game pushed Wayne to eighth
Read the full article here at CNN.com
SORRY THIS LIST IS FULL – EMAIL NOTIFICATIONS GOING OUT OVER THE NEXT DAY OR TWO!!!
In celebration of the opening night of The Rodeo Drive Festival of Watches + Jewlery, we are excited to announce that Chris will be performing a free private concert under the stars presented by Genlux Magazine and The Rodeo Drive Committee.
Both presenters have graciously allowed us to invite 50 fans and a guest to attend this very special event. The first 50 fans that email firstname.lastname@example.org and tell us they can attend will get on the list. Reservations are limited and available on a first come first served basis and are non-transferable. Fans who qualify will receive a confirmation email letting them know how to obtain tickets to the performance.
Date / Time: Sunday, September 14, 2014, 8:00pm
Location: The 300 block of Rodeo Drive, Beverly Hills, CA
By Don Heckman
There were two guys named Chris on stage at the Hollywood Bowl Friday and Saturday nights. Despite their identical first names, their styles traced to very different genres. And despite those different sources, they both offered performances rich in musicality and compelling entertainment.
Friday evening opened with the first Chris – jazz trumpeter Chris Botti — backed by his own group and the Los Angeles Philharmonic under the baton of Bramwell Tovey.
Although Botti was often identified with the smooth jazz style in his early years, he has always been a player whose music was filled with the authority of jazz authenticity. Over the past two decades his ever-curious, inventive imagination has taken him to jazz settings reaching from performances with full symphonic orchestras, to straight ahead mainstream jazz, and explorations reaching the outer limits of free improvisations.
Much of that territory was explored in his gripping performance at the Bowl.
Botti began with a warm tribute to Miles Davis, applying his trademark, warm tone to a composition long associated with Davis – Rodrigo’s Concierto De Aranjuez. To Botti’s credit, he made the piece’s lush Spanish melodies his own. He was equally expressive with Davis’ “Flamenco sketches.
And when he added some familiar standards – “When I Fall In Love” and “The Very Thought of You” – he once again emphasized his embracingly warm sound and expressive tone to every melodic phrase.
Botti also showcased his skills as a leader, urging the members of his band – pianist Geoff Keezer, guitarist Ben Butler, bassist Richie Goods and drummer Billy Kilson – into their own far-reaching skills. Add to that the mesmerizing violin playing of guest artist Caroline Campbell on the Grammy-nominateed “Emmanuel,” as well as George Komsky’s soaring vocal rendering on “Time To Say Goodbye,” and the stunning versatility of singer Sy Smith.
And I’d be remiss if I didn’t also mention Botti’s easygoing communication with his audience. Strolling the stage, offering occasional interchanges with his listeners, he added a quality of warm connectivity too rarely seen in jazz performances.
Read the full article here at The International Review of Music
BY MUSIC NEWS DESK
Blue Note Jazz Club, one of the world’s most iconic jazz and blues venues based in Greenwich Village, has announced world renowned trumpeter Chris Botti’s milestone 10th Annual Holiday Residency. The three-week engagement at the club will run Monday, December 15, 2014 through Sunday, January 4, 2015, with two shows each evening (including Christmas Eve and New Years Eve performances).
Botti, described by The Wall Street Journal as “a December institution in the Big Apple,” has called the Blue Note his home every December since 2005. Over the years the residency has featured special impromptu musical guests, such as Sting and John Mayer (2011). Celebrities from all walks of the entertainment business have attended Botti’s Blue Note performances, ranging from Mary J Blige to Paul Haggis.
“Coming to the Blue Note for as many years as I’ve been is like coming home,” says Botti. “The best city, the best club, the greatest people.”
Reflecting on Botti’s ten-year run, Blue Note Entertainment Group President Steven Bensusan says, “Chris’ annual holiday residency has become one of the highlights of our venue’s story, with a prime focus on loyalty. This is an engagement that fans regularly look forward to and support each year. It’s also a testament to our relationship and history with Chris. He is truly part of the Blue Note family. We look forward to celebrating ten great years this December.”
Tickets for Botti’s upcoming 10th Annual Holiday Residency at Blue Note Jazz Club will be available for American Express Cardmembers during an exclusive presale window beginning Wednesday, July 23, 12:00PM EDT at www.bluenotejazz.com. Tickets will be available to the general public beginning Wednesday, August 6, 12:00PM EDT at www.bluenotejazz.com.
Read the full article here at broadwayworld.com
By ERIC ALAN
Grammy-winning trumpeter Chris Botti returns to the Willamette Valley with a performance at the Hult Center in Eugene on May 1st, not far from where he grew up in Corvallis. He speaks with Eric Alan about collaborating with Mark Knopfler and Frank Sinatra, and how growing up in Corvallis helped him as a young player.
Listen to the full interview here at klcc.org
NAPA VALLEY REGISTER
BY: L. PIERCE CARSON
Chris Botti really knows how to please a crowd.
From the opening number — which paid tribute to Miles Davis’ extended version of the second movement of Joaquin Rodrigo’s “Concierto de Aranjuez” from the “Sketches of Spain” album — to the rousing closer — Al Green’s hit, “Let’s Stay Together” — his two-hour-plus show at Napa’s Uptown Theater Saturday night was the tight, entertaining, quality show we’ve come to expect of this 50-year-old jazz trumpeter.
Botti can play hot, he can play smooth. On top of that, he’s a marvelous raconteur who digs what he does, especially interacting with audiences all around the world.
The affable bandleader told a sold-out house the other night that he and his musical posse had just celebrated 10 years on the road together, wherein an average of 300 days of each year are spent performing or traveling to the next gig.
Read the full article here at napavalleyregister.com