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Chris Botti at his best in Impressions

SOUNDS FAMILIAR By Baby A. Gil (The Philippine Star)

I listen to Impressions by Chris Botti and I think, beautiful. That is such an overused word but there is nothing I can think of that would best describe the album. It is an incredible mixture of sounds. Heavenly. Moving. Inspiring. Romantic. It makes me want to tell everybody that this guy, whom I first encountered as a trumpet player who made it to People Magazine’s list of beautiful people has now become a total music artist.

Impressions makes me think of Herbie Hancock, Sting, Paul McCartney and Quincy Jones. They are all pop artists who also mastered the intricacies of the art of recorded music. While others are contented doing the hits that their public expects from them, they surmounted the limitations of their assigned genres. Think of Jones getting Michael Jackson into Thriller or of Hancock with his Imagine album. What about Sting and his live recordings or of McCartney composing a symphony?

Botti is not yet there. Almost. But he got a lot of great help for his Impressions. Producer is Bobby Columby, drummer of the iconic band Blood, Sweat & Tears. He is fearless and he guided Botti through the paces that will take him from his usual pop and jazz to the edge of world music. Botti certainly proved himself more than just an instrumentalist in this CD. I do not know if it was Botti or Columby’s idea to put this stuff together but they made the music work — to take on Brazilian jazz, Broadway, Michael Jackson soul and Argentine tango. And surprise, these all go well together. Botti’s trumpet links them all and he excels in every cut.

Read more at philstar.com

Music review: Chris Botti in Manila—best concert we’ve ever seen


You know you’re in for a night of top-flight music when from the opening notes, the very air around you seems to change, becoming charged with divine energy of The Spheres.

That’s what it was like at the Chris Botti concert at Resorts World Manila’s Newport Performing Arts Theater last June 19.

From the opening bars of front act Richard Merck’s “You Are The Sunshine of My Life” to the closing strains of Chris Botti’s “Over The Rainbow,” the air around us was transformed by jazz alchemy into much needed soul food.

The air tasted palpably sweeter. And the hairs on the back of our neck were standing from beginning to end.

Read more at gmanetwork.com

Live Jazz: Chris Botti at the Greek Theatre

By Don Heckman

Los Angeles, 6/3/12. Chris Botti made his annual appearance at the Greek Theatre last night. And it began in appropriately lyrical fashion, with a nearly full moon beaming through a misty sky.

For the past few years, Botti performances have included rich assemblages of talented artists, playing music reaching across a wide spectrum of genres. So, too, with this appearance, which began with a quick-triggered jazz set from the basic Botti ensemble – featuring the fast-fingers and soaring imagination of pianist Geoffrey Keezer. Botti’s own soloing, especially in this segment, sometimes displayed a somewhat harder bop inflection than has usually been present in his playing, adding yet another appealing hue to his already colorful musical palette.

Next up, he was joined by violinist Caroline Campbell in the first of several appearances by this gifted artist. Their duets on “Emmanuel” and a Chopin Prelude were exquisite displays of intimate musical story telling.

Yet another musical direction followed. Botti often speaks of the impact Miles Davis had upon him as a 12 year old. And he affirmed that impact in loving fashion in an emotionally layered rendering of Davis’ “Flamenco Sketches.”

Botti then focused the spotlight on the remarkable Uruguayan guitarist Leonardo Amuedo, playing Leonard Cohen’s “Hallelujah.” Here, and elsewhere throughout the two hour program, Amuedo moved easily from subtle Latin rhythms to rock star electric guitar, comping with brisk swing on the straight ahead jazz passages, and doing it all with stage presence revealing the qualities of a potential star in the making.

Grammy-winning singer Lisa Fischer is already a star in her own right. And her mesmerizing performance, especially in an unlikely blending of “I Love You Porgy” and “The Look of Love,” produced some of the most memorable moments of the entire evening. As if that wasn’t enough, she and Botti then stepped down to stroll through the audience in an up close and personal rendering of “The Very Thought of You.”

And there was more – much more: A spotlight moment for singer/actor Michael Arden. A violin solo by Campbell in which she assembled a collection of the instrument’s most difficult techniques and performed them in a brilliantly articulate display of musical magic. And a drum solo by Billy Kilson that somehow managed to combine wit and humor with explosive high energy.

Botti held all these elements together with graceful ease and consummate professionalism. Always at the center of the music, opening the way for his companions to express themselves, he was also at the head of the parade. A master musician in his own right, Botti has discovered – via his many musical journeys of the past decade – how to lead engaging performances, rich with collective creativity.

The International Review of Music