Chris Botti is at home with a trumpet in his hands
The Virginia-Pilot, by Ed Condran Correspondent
While fronting the Police, Sting crafted the jaunty “Man in a Suitcase” 36 years ago. As it turns out, a good friend of Sting’s, trumpet player Chris Botti, is living that life – and loving it.
The Grammy Award winner sold his luxurious Hollywood Hills home and almost all of his possessions two years ago and moved into a Manhattan hotel.
“I can literally fit all of my belongings into two suitcases,” Botti said while calling from Portsmouth, N.H. “I own a trumpet, a couple of suits and a nice watch. I don’t even own a storage locker. I love it. I had the house with the pool that drops off the cliff (in Los Angeles) and I had the sports car, but I realized I wasn’t that guy. I’m so much happier living life this way.”
Botti, 53, who will perform tonight at the Sandler Center for the Performing Arts, just lives for the music. He’s on tour so often that he spends little time at his hotel, save one month a year when he does a residency at Manhattan’s Blue Note in December.
“I love that, since I get to walk to work,” Botti said. “It’s the greatest.”
The charismatic entertainer’s last album is 2012’s “Impressions,” but he isn’t even thinking about his next release.
Botti said he is focusing on his show – part rock, part jazz and part classical.
“What I want to do is put the listener in a hypnotic state,” Botti said. “When you come to the concert, I want to put some heat under it. I want to blow your head off.”
The well-respected jazz player sounds like a death metalist: “I admit it, I’m pumped up.”
There is plenty of material for him to select. Botti has nine albums to draw from and can play many different styles.
“I’m not hurting for songs,” he said. “It’s not easy to put together what I’ll play. But I go for it. All of my focus is on this tour. I’m not going to even think new album until 2017. I lead a charmed life.”
He certainly has made some key connections.
In 1990, Botti started a decadelong touring and recording relationship with Paul Simon.
“He might be the greatest songwriter ever,” Botti said. “What I learned from him is to pay attention to details. You wouldn’t believe how many top musicians play out of key.”
In 1999, he began touring with Sting, who allowed him to solo during his shows.
“Sting is one of the nicest guys in the business,” Botti said. “He was all about me getting noticed. He told me that he would expose me to his fans and that they, even if they weren’t jazz fans, could become fans of mine. I ventured out on a 26-month tour and it was amazing. Sting eventually ‘fired’ me and made me his opening act. He has helped me and so many other recording artists. I felt like the angel came down from the heavens and connected me with Sting.”
Some folks in the music industry are less than complimentary when Sting’s name is dropped.
“I hate him, too,” Botti joked. “The guy is a freak of nature. He’s so talented. He’s good-looking and in such great shape. To put it in perspective, as great as Roger Daltrey and Robert Plant are, can they play jazz like Sting in front of an orchestra?”
Botti and Sting live within blocks of each other in Manhattan and often hit the town together.
“We go to premieres of movies and just hang out,” Botti said. “That’s part of what’s great about living in my hotel, I can live life to the fullest and only go a few blocks from my apartment, which is incredibly spare.”
Botti’s hotel is so spartan that it doesn’t include the Grammy he won in 2013 for best pop instrumental album for “Impressions.”
“It’s not in my hotel, but I didn’t sell it when I sold off all my possessions. The Grammy is in my manager’s office. I don’t need things. I just need music and a place to sleep.”
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