NBC’S Annual ‘Christmas In Rockefeller Center’ Celebrates The Music Of The Holidays Live On Wednesday, Dec 2nd

NBC will celebrate the lighting of the world’s most famous Christmas tree with “Christmas in Rockefeller Center®” on Wednesday, Dec. 2 (8-9 p.m. ET).

NBC’s “Today” anchors Matt Lauer, Savannah Guthrie, Al Roker and Natalie Morales will host the live broadcast from New York City’s Rockefeller Center, which will showcase spectacular holiday performances from Sting, Mary J. Blige, Andrea Bocelli, The Band Perry, Andy Grammer, Carly Rae Jepsen, Pentatonix, Band of Merrymakers, and music legend James Taylor, featuring world-renowned trumpeter Chris Botti. The evening will also include a special performance by the Rockettes.

The 83rd annual holiday extravaganza will feature a 78-foot tall Norway Spruce from Gardiner, N.Y. It is approximately 80 years old and weighs approximately 10 tons.

Once again, “Green Is Universal,” NBCUniversal’s sustainability initiative in partnership with the Arbor Day Foundation, will kick off its annual tree-planting campaign during the “Christmas in Rockefeller Center” broadcast. This year, viewers can “GIF’t a Tree” to a national or state park or forest, by using #GIFtATree or visiting to create and share an animated holiday tree GIF. Each action will contribute to the Arbor Day Foundation’s tree planting efforts, funded by a $25,000 donation from NBCUniversal.

Prior to the primetime telecast, an additional live hour of the special will be broadcast on select NBC stations (7-8 p.m. ET). Check local listings.

Trumpeter Chris Botti and musical friends enchant Uptown crowd

By L Pierce Carson, Napa Valley RegisterBotti Napa 2015

World traveling trumpeter Chris Botti stopped off in Napa last week with his latest musical ensemble.

The generous two-hour-plus show that Botti and eight colleagues presented to a full house of fans at the Uptown Theatre turned out to be an absolute corker. The tightly knit, wildly talented ensemble was, as the saying goes, hitting on all cylinders.

As she usually does, violinist and Stanford grad Caroline Campbell raised eyebrows and gooseflesh. The classically trained artist caresses with dreamy ballads, then gets down when the tempo is turned up.

We’ve heard vocalist Sy Smith before but no one’s ever been better at delivering the Al Green hit “Let’s Stay Together” … except for Al Green, of course.

Danville’s George Komsky, offering the operatic “Italia” and “Time to Say Goodbye” with his warm, soaring voice, let Napans know why he’s ranked one of the best tenors in the nation.

Pianist Geoffrey Keezer — who earned his stripes as a young man with Art Blakey and the Jazz Messengers — dazzled us with not only his arrangements but also the improvisational solos contributed throughout the evening.

And who in the audience was not blown away by the new addition to the rhythm section, drummer Lee Pearson? Not only has he backed such acclaimed jazzmen as Roy Ayers and Ronnie Laws as well as singer Erykah Badu, Pearson was part of a world tour with Savion Glover’s Tony Award-winning Broadway show, “Bring in Da’ Noise, Bring in Da’ Funk” from 2002-2003.

Commenting on the newest band member, Botti points out that Pearson is “a very unusual combination of jaw-dropping chops, showmanship and finesse.” And that’s just what Pearson’s magnificent solo near the end of last week’s concert was — jaw-dropping. I suspect Gene Krupa might well have been smilin’ from on high.

And then there’s three more top-shelf guys contributing to the mix — bassist Richie Goods, guitarist Ben Butler and keyboardist Andy Ezrin.

For those who think Chris Botti is all about dreamy smooth jazz ballads, they need to catch a live performance. When Chris and his trumpet aren’t serving up “Emmanuel” or “Hallelujah,” they’re taking the lead on sizzling arrangements of Tin Pan Alley classics or breaking new ground with contemporary R&B hits. A terrific bandleader with an ear for talent, Botti is equally at ease with straight-ahead jazz, turning his bandmates loose for numerous crowd-pleasing solos.

By now, Botti is a familiar face in the valley, his trumpet a welcome and enjoyable sound. He’s played the Mondavi summer festival three times, appeared at Far Niente Winery as part of Festival del Sole and graced the Lincoln Theater and Napa Valley Opera House stages. And now he’s becoming a regular at the Uptown Theatre.

Botti is a native of Oregon who was born in Portland, raised in Corvallis, and spent two years of his childhood growing up in Italy. His earliest musical influence was his mother, a classically trained pianist and part-time piano teacher. He began playing trumpet at age 9 and, after hearing a recording of Miles Davis playing “My Funny Valentine,” realized the instrument was his key to “doing something meaningful with my life.”

Since the 2004 release of his critically acclaimed “When I Fall in Love,” Botti has become the largest selling American jazz instrumentalist, according to Billboard. In 2013, Botti won the Grammy Award for Best Pop Instrumental Album for his “Impressions” recording.

Botti’s fans couldn’t have been happier that the 53-year-old trumpeter chose to play in Napa on his birthday. It was a night to remember.

Read the full concert review here at

Symphony review | Trumpeter Chris Botti thrills at first Pops

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By Gary Budzak
For The Columbus Dispatch • Saturday June 20, 2015
Photo Credit: Leah Klafczynski / Dispatch

One of the Columbus Symphony’s favorite guests, trumpeter Chris Botti, turned in a typically top-notch performance Friday night in the Columbus Commons. However, the surprise of the evening was the weather — it didn’t rain.

Maybe it was the presence of WBNS-TV meteorologist Chris Bradley, telling us to keep our fingers crossed. It could have been CSO Board Chair Lisa Barton’s thanking the audience for braving the weather. Or perhaps it was what Botti called maestro Albert-George Schram’s good relationship with the man upstairs that kept the elements at bay. Then again, how could it rain on the opening Picnic with the Pops concert of the season?

Although the Commons was surrounded by clouds, it turned out to be a beautiful evening, completely dry with a slight breeze. The only negative of the night was too many sirens could be heard during the concert.

And what a concert it was. Unlike most pops shows, Botti and his band performed on both halves of the concert. In addition, the symphony played throughout, and could be heard well.

Botti, 52, is perhaps the most popular instrumentalist performing today. He’s equally at home playing a jazz solo, an operatic piece or a pop standard. While some of the audience may like Botti for his good looks, others favor his sound. When Botti plays his 1939 Martin Committee handcraft trumpet, it sounds more like a flugelhorn. He can get a strong but sad tone from the horn that redeems some of his smoother tunes.

Trumpeters aplenty have chops, but Botti also has the personality that allows a club or lawn audience to get into the show. He’s no shoe gazer — Botti breaks jazz down for first-timers. He said they play the melody, “the Taylor Swift part,” then on the solo “sometimes we go off to another planet.” Later, he went out into the audience, playing trumpet for people in front tables. Many cellphone photos were taken.

The other thing that made this a stellar show was the talent surrounding Botti. As a bandleader, he likes having people who play at his high level by his side and sharing the spotlight with them.

First was pianist Taylor Eigsti, who Botti said looked like Bradley Cooper and played like Bill Evans. Then there was expressive violinist Lucia Micarelli, who shifted from pathos to Kashmir without missing a beat. Botti also gave some love to bassist Richie Goods on Flamenco Sketches; Ben Butler (who may have been best on the opening En Aranjuez Con Tu Amor, although he got more cheers for the Iron Man riff); tenor George Komsky, who proved a ringer for Andrea Bocelli on Italia and Time to Say Goodbye. Last but not least, Botti made sure we heard a lot of trumpet-imitating singer Sy Smith and powerhouse drummer Lee Pearson. The latter’s long solo included balancing a stick on top of his head as he played.

Read the full concert review here at